![]() ![]() Neck: Length: 28 cm, fretless fingerboard made of ebony. ![]() Head: Scroll and pegbox maple 4 side-mounted pegs (ebony).Tenor and bass instrument of the violin family (violin, viola, cello) Classification: Chordophone, necked lute, stringed instrument.The tailpiece construction may also use other types of wood or non-wooden materials. The type used by professional orchestra bassists and soloists has maple for the back, neck, and ribs, spruce for the top, and ebony for the fingerboard, and tailpiece. In these, a screw mechanism raises or lowers its height.ĭouble bass construction uses diverse materials. A very small number of expensive basses for professionals have adjustable fingerboards. Any adjustments must be made by a luthier. Performers can’t adjust the fingerboards on the vast majority of double basses. Unlike the violin and viola, but similar to the cello, the bass fingerboard flattens out underneath the E string (the C string on a cello). Because of the curved bridge and curved fingerboard, the bassist can align the bow with any of the four strings and play them individually. A bassist would not be able to bow the inner two strings individually were it not for this reason. The fingerboard is curved, for the same reason the bridge is curved. This note has proven necessary in certain repertoire. The five-stringed double bass has the advantage of a range that goes as down as B0. For the performance of 20th-century pieces, five-stringed double-basses had already become common. It’s range in the lower register, however, was larger (down to E1). Then, an additional string was added, and the sound became more mellow, smoother, and weaker. Most double-basses had three strings by the mid-18th century, and it stayed this way until just before the end of the 19th century. Construction modeled to the cello proved to be the most suitable as the instrument’s construction developed. The men responsible for this were Giuseppe Aldovrandini (1673–1707), and Marin Marais (1656–1728). The double bass hadn’t found its place in the orchestra until around 1700. ![]() Often, a trombone or another brass instrument supported it. All these early portrayals show one single large bass instrument in a viola da braccio family ensemble. Instruments of similar size and appearance were first depicted in the early 16th century. A somewhat confusing array of different construction, sizes, and tunings through time riddle the story. The double bass history begins simultaneously and in the same place as that of other bowed instruments: in northern Italy, about five centuries ago. Military and concert bands in some countries use it as well. It’s usually played in pizzicato and is an essential member of jazz and dance bands. It provides not only strength and weight but also fundamental rhythmic structure.Īlthough less common than other instruments, a surprisingly large repertoire, including over two hundred concertos, exists for the double bass. The double bass is best known for its contribution to the orchestra in western repertoire. It sounds an octave lower than its smaller orchestral partner, the cello. It includes four (or less commonly five) strings tuned in 4ths. The violin family’s largest bowed string instrument is the double bass. ![]()
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